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9:14am Friday 4th July 2008
AS DIRECTOR of The Shawshank Redemption, which is now rated at No 2 in IMDb's list of the best films of all time - to say nothing of his hugely successful The Green Mile - Frank Darabont's latest Stephen King book adaptation has been eagerly awaited.
After a terrible storm Hollywood poster artist David Drayton (Thomas Jane) surveys the devastation and wishes he had the forethought to put his latest painting in a safer place the night before. Even more tiresomely, his young son Billy (Nathan Gamble) tells him the dead tree belonging to his bolshie neighbour, Brent Norton (Andre Braugher), has crushed his boathouse.
Deciding this isn't the moment to have a row with Brent, who should have felled the tree weeks ago, he offers him a lift to the local shop to get in supplies. So, along with Billy they arrive to find the town doing a roaring trade.
Suddenly a mist draws in and a man comes rushing into the shop with blood pouring from his face, saying that something has taken his friend.
There is doom and gloom from the local religious nutter Mrs Carmody (Marcia Gay Harden) who is certain God is sending his wrath. But in general everyone tries to keep calm; that is until an enormous bug-like creature hammers on the window and things really start to go bump in the night or, in this case, the mist.
Oh dear, this is massively cliché riddled nonsense. Those who like King and Darabont will be disappointed, whereas anyone embarking on their first creature horror would be better off going for something like Alien.
Long before CGI was born or thought of, Alfred Hitchcock managed to grab everyone's attention with his film The Birds (1963), where a coastal town is under attack from gulls. This was a suspense-filled story made more terrifying because there was a real feeling of believability.
The trouble with The Mist is CGI is becoming a trifle passé. You can't just rely on silly looking monsters to hold a film together; more effort needs to be made building up the tension.
There is nothing that grabs one's attention, everything from the religious theme to the explanation as to why they are being attacked in the first place, which I won't spoil for you, have all been seen before, many times and better.
Clare Shepherd 3/10
NEW poems from some of Stroud's finest wordsmiths will accompany this year's Stroud Water Textile Festival.
WHY is it that three quintessentially English roles have gone to a couple of Americans and one Australian? Having just won two substantial Oscars this year it must be plain for any idiot to see that Britain has talent. So when this film's director Justin Chadwick says they were just perfect for the roles because "they're great actors", it sticks in my craw. Though it is fair to say the Australian Cate Blanchett did a fine job as Queen Elizabeth I, I still think that it is insulting to Americans to assume they would be unable to cope with an unknown name in the lead, but it is an even greater insult to us. We have a treasure trove of talent in this country that is struggling to get noticed in a profession in which 88% are out of work. But we also have a myriad of big names as well, so shame on you Mr. Chadwick.
SET in the early 1980s this film is based on the true story of hard drinking womaniser Charlie Wilson, who also had a penchant for coke. He was the liberal Democrat congressman from Texas said to have been totally responsible for organising the biggest undercover operation in the history of the United States. This involved supplying the Afghan Mujahideen with arms during the Soviet war in Afghanistan, the success of which unfortunately was the beginning of a very tricky future for the Afghan nation.
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